for any questions email me at INFO@LIONSGALLERY.COM or call me at 305-992-7701 i will be shipping the first week in may. i will be listing fine art paintings and bronze sculpture from the estate of a well traveled prominent local jewish doctor and art collector, most of which was purchased at auction and from fine galleries. NR NO RESERVE! i am selling a collection of fine estate judaica and israeli art and objects (silver) This wonderful silkscreen serigraph by
Artist:
WALTER DARBY BANNARD an Abstract expressionist, Color Field painter and a Lyrical Abstractionist.
Title: STONE POND
Year:
Medium: Silkscreen serigraph screenprint, Signed and numbered in Pencil
Edition:sheet size 64X97CM
Signed & numbered High Quality Paper, In excellent condition. i am also selling vintage stamped silver gelatin photo prints by robert doisneau, lithographie by miro, calder, saul steinberg, richard lindner, leonard baskin, picasso matisse and ben shahn, you can combine for shipping there is no gallery label or tag on it. affiche plakat
Walter Darby Bannard also known as Darby Bannard (born September 23, 1934, New Haven, CT) is an American abstract painter.
Bannard attended Phillips Exeter Academy and Princeton University, where he struck up a friendship and working relationship with Frank Stella, which continued after graduation and eventuated in the extreme minimalism both artists engaged in around 1959 and thereafter. The first paintings from the 1959-1965 period contained few forms, as little as a single band painted around a field of color, and then developed into somewhat more complex geometric forms by the mid-60s. In the late 60s the forms dissolved into pale, atmospheric fields of color applied with rollers and paint-soaked rags. He was associated with Lyrical Abstraction, Minimalism, Formalism (art), Post-painterly Abstraction and Color Field painting.
By 1970 he had begun to use the new acrylic mediums and his paintings evolved into colorful expanses of richly colored gels and polymers applied with squeegees and commercial floor brooms, which continues to the present.
Bannard’s first solo show was at the Tibor de Nagy gallery in January, 1965 and he had numerous exhibits there until 1970, when he began showing at the Larry Rubin Gallery, which became the Knoedler Gallery, where he showed for the next 15 years. He has exhibited in numerous museums and galleries nationally and internationally to the present day.
Bannard has had close to a hundred solo shows, been in several hundred group shows and is represented in the collections of all the major New York museums and many others around the world. He is also a prolific writer on art with over a hundred published essays and reviews, has taught, lectured and participated in panel discussions extensively and has been a Co-chair of the International Exhibitions Committee of the National Endowment for the Arts. He curated and wrote the catalog for the first comprehensive retrospective exhibition of the paintings of Hans Hofmann, at the Hirshhorn Museum in Washington, D.C.
Currently Bannard is Professor and Head of Painting of the Department of Art and Art History at the University of Miami.
Biography:
Professor of Art
at University of Miami, Coral Gables, Florida;
Exhibitions
include Museum of Modern Art, Venice Bieannale, M. Knoedler Contemporary Art, Whitney Museum of American Art, Los Angeles County Museum of Art, High Museum, Edmonton Art Gallery, Baltimore Museum, Green Gallery, Mint Museum, Detroit Institute of Arts, Clayworks, Tibor de Nagy Gallery, David Mirvish Gallery, Nicholas Wilder Gallery, Boston Museum of Fine Arts, Cleveland Museum of Art, Kasmin Limited, Lawrence Rubin Gallery, Richard Feigen Gallery, Bennington College, Newport Harbor Art Museum, Pasadena Art Museum, Neuendorf Gallery, Houston Museum of Art, Watson/deNagy, Martin Gerard Gallery, James Madison Univeristy, Virginia Tech University, Salander-O'Reilly Gallery, St. Lawrence University, Greenberg Wilson Gallery, Richard Love Gallery, Montclair Museum of Art, University of Tampa, University of North Carolina, University of Pennsylvania, Art Institute of Chicago, Cornell University, Philadelphia Museum of Art, Portland Art Museum, Univeristy of Texas, Santa Barbara Museum of Art, Aldrich Museum of Contemporary Art, Hudson River Museum, DeCordova Museum, Newark Museum, Janie C. Lee Gallery, Honolulu Academy of Arts, American Federation of Arts, Emmerich Gallery, University of Virginia, Southern Methodist University, Princeton Gallery of Fine Art, Indianapolis Museum of Art, University of Nebraska, Syracuse University, Meredith Long Gallery, Stamford Museum, Noyes Museum, Butler Institute of American Art, Queens Museum, Western Carolina University, Brown Univeersity, Brooke Alexander Editions, Ft. Lauderdale Museum of Art, Hunter College, Trinton City Museum, Galeria de Poche, University of Florida, Denver Art Museum, University of Georgia, Glenbow Museum, Lowe Art Museum; Sarasota Visual Art Center, Mills College Art Museum, Washington University, Institute of Contemporary Art, New Jersey State Museum, Birmingham Museum of Art, Illinois State University, Phyllis Kind Gallery, Corcoran Gallery of Art, Albright-Knox Art Gallery, and the Fogg Art Museum;
Public collections
include the Museum of Modern Art, Metropolitan Museum of Art, Whitney Museum of American Art, Guggenheim Museum, Albright-Knox Art Gallery, Aldrich Museum of Contemporary Art, Baltimore Museum of Art, Cleveland Museum of Art, Kenyon College, Lowe Art Museum, National Museum of American Art, Dayton Art Institute, Oberlin College, University of Texas, New Jersey State Museum, Newark Museum, Fogg Art Museum, Boston Museum of Fine Arts, National Gallery of Victoria, Storm King Art Center, and Toledo Museum of Art;
Articles
in publications such as Arts Magazine, Artforum (contributing editor), Art in America, Art International, USA Today, Chronicle of Higher Education, Edmonton Review, New York Times, and The Print Collector's Newsletter;
Work cited
in London Times, Arts Magazine, Art News, Art International, New York Times, Time Magazine, Studio International, Artscanada, Life Magazine, New York Magazine, Christian Science Monitor, Vogue Magazine, Baltimore Sun, Houston Chronicle, Village Voice, Flash Art, Ceramic Monthly, Dallas Morning News, New Criterion, New Art Examiner, Moffett's Newsletter, Partisan Review, Financial Times, Toronto Star, The Print Collector's Newsletter, and New York Hearld Tribune;
Grants and awards
from the National Endowment for the Arts, National Foundation of the Arts, John Simon Guggenheim Memorial Foundation, Francis Greenberger Foundation, and Richard Florsheim Art Fund;
Other contributions
include the Emma Lake Artists Workshop; Triangle Workshop; Southeastern College Art Conference; Kenndedy Center; consultant, Sotheby's Auction House; visiting curator, Hirshhorn Museum; and co-chair, National Endowment for the Arts International Panel on the Visual Arts. 
SquareTrade © AP6.0
Color Field painting is an abstract style that emerged in the 1950s after Abstract Expressionism and is largely characterized by abstract canvases painted primarily with large areas of solid color. An alternate but less frequently encountered term for this style is chromatic abstraction.
Jackson Pollock,
Willem de Kooning
Richard Diebenkorn
Sam Francis
Helen Frankenthaler
Al Held
Hans Hofmann
Ellsworth Kelly
Morris Louis
Robert Motherwell
Barnett Newman
Kenneth Noland
Jules Olitski
Larry Poons
Mark Rothko
Frank Stella
Larry Zox
|
Track up to 10 items on this computer in 
)
